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A dish from The Taste of Things (AI-generated preview)

Theatrical cut

The Taste of Things

2023 · Directed by Trần Anh Hùng

Recipes

Cook-Along · The night on one page

Each dish shows when to start cooking and when to serve — plate it as its scene arrives in The Taste of Things. Times are approximate; your version of the film and any ads will shift them, so watch for the on-screen moment, not the clock.

The Consommé

Start before the movie·Serve ~0:16

The feast's opening course — a consommé clarified to glass with egg white, the kitchen's patience made visible before anything rich arrives.

PrepA proper consommé wants a long, gentle stock the day before and an unhurried clarification — build and strain the raft well before you sit down, then just warm it through.

Crayfish Vol-au-Vent

Start before the movie·Serve ~0:23

The feast's second course — a puff-pastry case ('windblown') filled with a creamy crayfish-and-vegetable ragout, served warm.

PrepBlind-bake or buy the puff cases and pick the crayfish ahead; the filling comes together fast at the end, so fill the shells only at the last minute or they soften.

Veal Loin with Braised Lettuce & Sauce Bourguignotte

Start before the movie·Serve ~0:26

The feast's meat course — veal loin roasted rose-rare, with braised lettuce, fresh peas, and a red-wine bourguignotte.

PrepMake the bourguignotte sauce ahead (it only improves), and have the veal at room temperature; sear and roast it during the film so it comes to the table warm and just-rested.

Omelette Norvégienne (Baked Alaska)

Start before the movie·Serve ~0:28

The bravura wordless sequence — sponge, ice cream, and a sculpted cloak of meringue torched to bronze, carried to the table like a verdict.

PrepThe ice-cream dome needs at least 2 hours frozen solid, better overnight, before the meringue and the oven touch it — build it a day ahead.

Turbot with Hollandaise

Start before the movie·Serve ~0:31

The feast's fish course — whole turbot poached gently in milk, cloaked in a warm housemade hollandaise.

PrepPoach the fish just before serving (it's quick and unforgiving), but make the hollandaise components ready — clarified butter warm, yolks and reduction to hand — so you can whisk it up at the last minute.

A Burgundy for the Table

Pour ~1:25

The broth course lands and the table falls into that particular quiet — pour as the first bowls go out, then keep refilling through the marrow toast.

PrepDecant a half hour ahead so it's ready the moment the broth is ladled — this pours alongside the pot-au-feu, not before it.

Pot-au-Feu

Start before the movie·Serve ~1:27

Dodin's answer to the prince's eight-hour banquet — the humblest dish in France, served in courses: broth first, then marrow on toast, then the meat and vegetables.

PrepThe beef alone simmers barely three hours before the vegetables even go in — start the pot well before the movie and let it run the whole runtime if you have to.

Veal Fricandeau

Start before the movie·Serve ~1:52

The late-film veal course — a larded cushion of veal braised low and slow until it glazes itself and gives way to a spoon.

PrepThis is a long, unhurried braise — several hours basting in its own reducing juices — so it belongs on the stove well before the movie starts; it only wants a final glaze at the end.

Food Notes

The opening is 38 minutes of cooking. Nearly wordless, one summer kitchen, one meal — vol-au-vents, turbot in cream, roasted veal, the norvégienne — shot like dance. Widely called the greatest pure cooking sequence ever filmed.

The pot-au-feu is the heart of it: Dodin answers a prince's eight-hour, thirty-dish banquet with the humblest dish in France, perfected. Mastery over spectacle — the film's whole philosophy, and the reason its French title bears his name.

"Cook or wife?" The film's real question, asked over decades of shared kitchens — Eugénie's answer, given at the stove, is the most quietly devastating line in a food film this century.

Juliette Binoche and Benoît Magimel cook for real throughout — the film used Michelin chef Pierre Gagnaire as culinary consultant, and every dish on screen was genuinely made, hot, and eaten.

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